Difference between revisions of "Mike's project proposal"
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Possible features: | Possible features: | ||
− | * PLOrk stations (of indefinite #?) divided into two groups? | + | '''* PLOrk stations (of indefinite #?) divided into two groups?''' |
** One group using 'unpitched' samples (selected by the PLOrkers?) | ** One group using 'unpitched' samples (selected by the PLOrkers?) | ||
** The other group using pitched samples (selected by the PLOrkers?) or maybe synthesized sounds | ** The other group using pitched samples (selected by the PLOrkers?) or maybe synthesized sounds | ||
** Groups relatively autonomous from each other, but interactive between the groups (interactive via GUI, or just sharp ears?) | ** Groups relatively autonomous from each other, but interactive between the groups (interactive via GUI, or just sharp ears?) | ||
− | * Live sampling of So | + | '''* Live sampling of So''' |
** One or both of the PLOrk groups' samples could be obtained from this. | ** One or both of the PLOrk groups' samples could be obtained from this. | ||
** Is this a pain in the behind logistically? | ** Is this a pain in the behind logistically? | ||
− | * As suggested by our discussion in the first week of seminar, Dan's wacky metronome, and some features of Jascha's proposal: | + | '''* As suggested by our discussion in the first week of seminar, Dan's wacky metronome, and some features of Jascha's proposal:''' |
** Flexibility of rhythm. A slightly hiccup-y, broken metronome to guide the PLOrkers? | ** Flexibility of rhythm. A slightly hiccup-y, broken metronome to guide the PLOrkers? | ||
** (Semi-)Independence of So from the PLOrk group's metronome? So more atmospheric, PLOrk more rhythmically active, for example, or vice-versa? | ** (Semi-)Independence of So from the PLOrk group's metronome? So more atmospheric, PLOrk more rhythmically active, for example, or vice-versa? | ||
− | * I'm game for trying a collaborative project if any of this resonates with anyone. | + | '''* I'm game for trying a collaborative project if any of this resonates with anyone.''' |
− | * I imagine trying this in ChucK and doing something with Processing for the interface, but not sure yet. | + | '''* I imagine trying this in ChucK and doing something with Processing for the interface, but not sure yet.''' |
==Comments== | ==Comments== |
Revision as of 14:46, 15 October 2008
Main Idea
Under construction -- more to follow as I think of it, comments welcome!
I'm intrigued by the idea of doing something with So + PLOrk (and possibly Matmos if it seems to make sense).
Possible features:
* PLOrk stations (of indefinite #?) divided into two groups?
- One group using 'unpitched' samples (selected by the PLOrkers?)
- The other group using pitched samples (selected by the PLOrkers?) or maybe synthesized sounds
- Groups relatively autonomous from each other, but interactive between the groups (interactive via GUI, or just sharp ears?)
* Live sampling of So
- One or both of the PLOrk groups' samples could be obtained from this.
- Is this a pain in the behind logistically?
* As suggested by our discussion in the first week of seminar, Dan's wacky metronome, and some features of Jascha's proposal:
- Flexibility of rhythm. A slightly hiccup-y, broken metronome to guide the PLOrkers?
- (Semi-)Independence of So from the PLOrk group's metronome? So more atmospheric, PLOrk more rhythmically active, for example, or vice-versa?
* I'm game for trying a collaborative project if any of this resonates with anyone.
* I imagine trying this in ChucK and doing something with Processing for the interface, but not sure yet.
Comments
Link back to main LAP page
take me back to PLOrk_538