Difference between revisions of "PLOrk Reader"

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Armstrong, N. 2006. ''[http://music.princeton.edu/~newton/enactive.pdf An Enactive Approach to Digital Musical Instrument Design]. ''<span style="font-style: normal">PhD dissertation, Music Department, Princeton University.</span>
 
Armstrong, N. 2006. ''[http://music.princeton.edu/~newton/enactive.pdf An Enactive Approach to Digital Musical Instrument Design]. ''<span style="font-style: normal">PhD dissertation, Music Department, Princeton University.</span>
  
Bahn, C., and Trueman, D. 2001. [http://music.princeton.edu/~dan/plork/PLOrk_reader/papers/papers/BahnTrueman.pdf interface—electronic chamber ensemble].<span style="font-style: normal">CHI Workshop on New Interfaces for Musical Expression, http://www.informatik.uni-trier.de/~ley/db/conf/nime/nime2001.html.</span>
+
Bahn, C., and Trueman, D. 2001. [http://music.princeton.edu/~dan/plork/PLOrk_reader/papers/BahnTrueman.pdf interface—electronic chamber ensemble].<span style="font-style: normal">CHI Workshop on New Interfaces for Musical Expression, http://www.informatik.uni-trier.de/~ley/db/conf/nime/nime2001.html.</span>
  
 
Bahn, C., Hahn, T., and Trueman, D. 2001. [http://music.princeton.edu/~dan/plork/PLOrk_reader/papers/physicality_feedback.pdf Physicality and Feedback: A Focus on the Body in the Performance of Electronic Music.]
 
Bahn, C., Hahn, T., and Trueman, D. 2001. [http://music.princeton.edu/~dan/plork/PLOrk_reader/papers/physicality_feedback.pdf Physicality and Feedback: A Focus on the Body in the Performance of Electronic Music.]
  
 
Bischoff, J., Gold, R., and Horton, J. 1978. Microcomputer network music. Computer Music Journal 2(3): 24–9.
 
Bischoff, J., Gold, R., and Horton, J. 1978. Microcomputer network music. Computer Music Journal 2(3): 24–9.
 +
 +
Bischoff, J. 1991. Software as Sculpture: Creating Music from the Ground Up. Leonardo Music Journal, Vol. 1 #1
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 +
Blackwell, A. and Collins, N. 2005. [http://music.princeton.edu/~dan/plork/PLOrk_reader/papers/17th-blackwell.pdf The Programming Language as a Musical Instrument.] 17th Workshop of the Psychology of Programming Interest Group, Sussex University
  
 
Brown, C., Bischoff, J., and Perkis, T. 1996. [http://music.princeton.edu/~dan/plork/PLOrk_reader/papers/CMJ/Brown_Bischoff_Perkis.pdf Bringing Digital Music to Life.] Computer Music Journal 20(2): 28–32.
 
Brown, C., Bischoff, J., and Perkis, T. 1996. [http://music.princeton.edu/~dan/plork/PLOrk_reader/papers/CMJ/Brown_Bischoff_Perkis.pdf Bringing Digital Music to Life.] Computer Music Journal 20(2): 28–32.
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Cone, E. 1968. ''Musical Form and Musical Performance. ''<span style="font-style: normal">New York: Norton. </span>
 
Cone, E. 1968. ''Musical Form and Musical Performance. ''<span style="font-style: normal">New York: Norton. </span>
 +
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Cook, P. [http://soundlab.cs.princeton.edu/publications/prc_chi2001.pdf Principles for Designing Computer Music Controllers]. ACM CHI Workshop in New Interfaces for Muiscal Expression (NIME), Seattle, April 2001
  
 
Cook, P. 2004. [http://music.princeton.edu/~dan/plork/PLOrk_reader/papers/jnmr/CookSMAC03.pdf Remutualizing the Musical Instrument: Co-design of Synthesis Algorithms and Controllers]. Journal of New Music Research 33(3): 315–320.
 
Cook, P. 2004. [http://music.princeton.edu/~dan/plork/PLOrk_reader/papers/jnmr/CookSMAC03.pdf Remutualizing the Musical Instrument: Co-design of Synthesis Algorithms and Controllers]. Journal of New Music Research 33(3): 315–320.
  
 
Dhomont, F. 1996. Acousmatic Update. Sonic Arts Network, http://www.sonicartsnetwork.org/ARTICLES/ARTICLE1996DHOMONT.html.
 
Dhomont, F. 1996. Acousmatic Update. Sonic Arts Network, http://www.sonicartsnetwork.org/ARTICLES/ARTICLE1996DHOMONT.html.
 +
 +
Fiebrink, R., D. Trueman, C. Britt, M. Nagai, K. Kaczmarek, M. Early, M.R. Daniel, A. Hege, and P. R. Cook. 2010. [http://www.cs.princeton.edu/~fiebrink/publications/Fiebrink_etal_ICMC2010.pdf Toward understanding human-computer interactions in composing the instrument.] Proceedings of the International Computer Music Conference (ICMC), Stony Brook.
  
 
Fiebrink, R., G. Wang., and P. Cook. 2007. [http://soundlab.cs.princeton.edu/publications/laptop_nime2007.pdf Don't Forget the Laptop: Using Native Input Capabilities for Expressive Musical Control].  ''Proceedings of the International Conference on New Interfaces for Musical Expression''.  New York.
 
Fiebrink, R., G. Wang., and P. Cook. 2007. [http://soundlab.cs.princeton.edu/publications/laptop_nime2007.pdf Don't Forget the Laptop: Using Native Input Capabilities for Expressive Musical Control].  ''Proceedings of the International Conference on New Interfaces for Musical Expression''.  New York.
  
Garton, B. 2007. [http://www.cycling74.com/story/2007/3/26/145938/572 Multi-language Max/MSP]
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Garton, B. 2007. [http://cycling74.com/2007/03/26/multi-language-maxmsp/ Multi-language Max/MSP]
  
Godøy, R. I. 2001. Imagined Action, Excitation, and Resonance. In R. I. Godøy andH. Jørgensen (eds.)'' Musical Imagery. ''<span style="font-style: normal">The Netherlands: Swets and Zeitlinger, 2001.</span>
+
Godøy, R. I. 2001. Imagined Action, Excitation, and Resonance. In R. I. Godøy and H. Jørgensen (eds.)'' Musical Imagery. ''<span style="font-style: normal">The Netherlands: Swets and Zeitlinger, 2001.</span>
  
 
Godøy, R. I. 2003. [http://music.princeton.edu/~dan/plork/PLOrk_reader/papers/leonardo/36.4godoy.pdf Motor-Mimetic Music Cognition.] Leonardo'', ''<span style="font-style: normal">26(4): 317–319.</span>
 
Godøy, R. I. 2003. [http://music.princeton.edu/~dan/plork/PLOrk_reader/papers/leonardo/36.4godoy.pdf Motor-Mimetic Music Cognition.] Leonardo'', ''<span style="font-style: normal">26(4): 317–319.</span>
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Laubier, S. 1998. The Meta-Instrument. Computer Music Journal 22(1): 25–29.
 
Laubier, S. 1998. The Meta-Instrument. Computer Music Journal 22(1): 25–29.
 +
 +
Lewis, George E. 2007. [http://music.princeton.edu/~dan/plork/PLOrk_reader/papers/Lewis_MobilitasAnimi.pdf 'Mobilitas Animi: Improvising Technologies, Intending Chance'], Parallax,13:4,108 — 122
 +
 +
Lewis, G. 2007. [http://www.ctwatch.org/quarterly/articles/2007/05/live-algorithms-and-the-future-of-music/1/ Live Algorithms and The Future of Music.]
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Lewis, G. 2000. [http://music.princeton.edu/~dan/plork/PLOrk_reader/papers/leonardo/Lewis_TooManyNotes.pdf Too Many Notes: Computers, Complexity and Culture in Voyager.]
  
 
Leppert, R. 1995. ''The Sight of Sound.''<span style="font-style: normal"> Berkeley and Los Angeles: University of California Press.</span>
 
Leppert, R. 1995. ''The Sight of Sound.''<span style="font-style: normal"> Berkeley and Los Angeles: University of California Press.</span>
  
 
Max/MSP. Cycling ’74, [http://cycling74.com/ http://cycling74.com].
 
Max/MSP. Cycling ’74, [http://cycling74.com/ http://cycling74.com].
 +
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McNeill, W. 1995. ''Keeping Together in Time: Dance and Drill in Human History.'' Harvard University Press.
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 +
Miranda, E. R., and Wanderley, M. 2007. [http://books.google.com/books?id=CGEwXZ7hcIoC&printsec=frontcover&dq=musical+laptop-performance&source=gbs_summary_r&cad=0#PPP1,M1 New Digital Musical Instruments]
  
 
Mimeo. Music in Movement Electronic Orchestra. http://www.gjp.info/infomimeo.htm
 
Mimeo. Music in Movement Electronic Orchestra. http://www.gjp.info/infomimeo.htm
  
 
Monroe, A. 2003. [http://music.princeton.edu/~dan/plork/PLOrk_reader/papers/contemporaryMusicReview/22(4)/Monroe.pdf Ice on the Circuits/Coldness in Crisis: The Re-subordination of Laptop Sound.] Contemporary Music Review 22(4): 35–43.
 
Monroe, A. 2003. [http://music.princeton.edu/~dan/plork/PLOrk_reader/papers/contemporaryMusicReview/22(4)/Monroe.pdf Ice on the Circuits/Coldness in Crisis: The Re-subordination of Laptop Sound.] Contemporary Music Review 22(4): 35–43.
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NIME. [http://portal.acm.org/toc.cfm?id=SERIES11275&type=series&coll=Portal&dl=GUIDE&CFID=26502586&CFTOKEN=20454133 Proceedings from the New Interfaces for Musical Expression Conferences.]
  
 
Orchestra-Tech 2001. The American Composers Orchestra. [http://www.orchestratech.org/ http://www.orchestratech.org/.]
 
Orchestra-Tech 2001. The American Composers Orchestra. [http://www.orchestratech.org/ http://www.orchestratech.org/.]
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Ryan, J. 1991. [http://music.princeton.edu/~dan/plork/PLOrk_reader/papers/contemporaryMusicReview/Ryan_1991.pdf Some remarks on musical instrument design at STEIM.] Contemporary Music Review, 6(1):3–17.
 
Ryan, J. 1991. [http://music.princeton.edu/~dan/plork/PLOrk_reader/papers/contemporaryMusicReview/Ryan_1991.pdf Some remarks on musical instrument design at STEIM.] Contemporary Music Review, 6(1):3–17.
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Rotondo, M., N. Kruge, and G. Wang. 2012. Many-Person Instruments for Computer Music Performance. ''In Proceedings of the International Conference on New Interfaces for Musical Expression.'' Pittsburgh.
  
 
Spitzer, J. and Zaslaw, N. 2004. ''The Birth of the Orchestra.''<span style="font-style: normal"> Oxford: Oxford. </span>
 
Spitzer, J. and Zaslaw, N. 2004. ''The Birth of the Orchestra.''<span style="font-style: normal"> Oxford: Oxford. </span>
  
Smallwood, S., Trueman, D., Wang, G., and Cook, P. 2007. [http://music.princeton.edu/~dan/plork/PLOrk_reader/papers/CMJ/CMJ_composing.pdf Composing for Laptop Orchestra]. Computer Music Journal forthcoming.
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Scott Smallwood, Perry R. Cook, Dan Trueman, and Lawrence McIntyre. 2009. [http://www.scott-smallwood.com/pdf/delorean.pdf Don't Forget the Loudspeaker: A History of Hemispherical Speakers at Princeton, Plus a DIY Guide]. Proceedings of New Interfaces for Musical Expression (NIME), Pittsburgh.
 +
 
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Smallwood, S., D. Trueman, G. Wang, and P. Cook. 2007. [http://music.princeton.edu/~dan/plork/PLOrk_reader/papers/CMJ/CMJ.Smallwood.PDFPlus.pdf Composing for Laptop Orchestra]. Computer Music Journal Spring 2008, Vol. 32, No. 1: 9–25.
  
 
Stuart, C. 2003. [http://music.princeton.edu/~dan/plork/PLOrk_reader/papers/contemporaryMusicReview/22(4)/Stuart.pdf The Object of Performance: Aural Performativity in Contemporary Laptop Music.] Contemporary Music Review 22(4): 59–65.
 
Stuart, C. 2003. [http://music.princeton.edu/~dan/plork/PLOrk_reader/papers/contemporaryMusicReview/22(4)/Stuart.pdf The Object of Performance: Aural Performativity in Contemporary Laptop Music.] Contemporary Music Review 22(4): 59–65.
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Trayle, M. 1991. Nature, Networks, Chamber Music. Leonardo Music Journal, Vol. 1 #1.
  
 
Trueman, D. 2007. [http://music.princeton.edu/~dan/plork/PLOrk_reader/papers/OrganisedSound/WhyALaptopOrchestra.pdf Why a Laptop Orchestra?] Organised Sound, 12:2.
 
Trueman, D. 2007. [http://music.princeton.edu/~dan/plork/PLOrk_reader/papers/OrganisedSound/WhyALaptopOrchestra.pdf Why a Laptop Orchestra?] Organised Sound, 12:2.
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Trueman, D. 2010. [http://music.princeton.edu/%7Edan/cmmv.pdf Clapping Machine Music Variations]. 'Proceedings of the International Computer Music Conference. ' Stony Brook.
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Trueman, D. 2010. [http://music.princeton.edu/%7Edan/trueman_usfoe2010.pdf Digital Instrument Building and the Laptop Orchestra] invited paper for the US Frontiers of Engineering Symposium.
  
 
Trueman, D., Cook, P., Smallwood, S., and Wang, G. [http://soundlab.cs.princeton.edu/publications/plork_icmc2006.pdf PLOrk: The Princeton Laptop Orchestra, Year 1]. ''Proceedings of the International Computer Music Conference. ''<span style="font-style: normal">New Orleans. </span>
 
Trueman, D., Cook, P., Smallwood, S., and Wang, G. [http://soundlab.cs.princeton.edu/publications/plork_icmc2006.pdf PLOrk: The Princeton Laptop Orchestra, Year 1]. ''Proceedings of the International Computer Music Conference. ''<span style="font-style: normal">New Orleans. </span>
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Trueman, D., Bahn, C., Cook, P. 2000. [http://music.columbia.edu/~dan/alt_voices/alt_voices.comp.pdf Alternative Voices for Electronic Sound.] ''Proceedings of the International Computer Music Conference.''<span style="font-style: normal"> Berlin/San Francisco: ICMA. </span>
 
Trueman, D., Bahn, C., Cook, P. 2000. [http://music.columbia.edu/~dan/alt_voices/alt_voices.comp.pdf Alternative Voices for Electronic Sound.] ''Proceedings of the International Computer Music Conference.''<span style="font-style: normal"> Berlin/San Francisco: ICMA. </span>
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Trueman, D. 2006. [http://www.chamber-music.org/pdf/magazine/2006/Oct2006MyViolin.pdf The Instrumental Fetish]. Invited article for Chamber Music Magazine, pp. 116–121.
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Trueman, D. 2005. [http://www.americancomposers.org/trueman_essay.htm Discovering and Electric Violin]. Invited article for American Composers Orchestra.
  
 
Wang, G. 2007. [http://music.princeton.edu/~dan/plork/PLOrk_reader/papers/progmusic-draft.pdf A History of Programming and Music.] (draft)  ''Cambridge Companion to Electronic Music.''  Nick Collins and Julio D'Escrivan Eds.  Cambridge University Press (forthcoming)
 
Wang, G. 2007. [http://music.princeton.edu/~dan/plork/PLOrk_reader/papers/progmusic-draft.pdf A History of Programming and Music.] (draft)  ''Cambridge Companion to Electronic Music.''  Nick Collins and Julio D'Escrivan Eds.  Cambridge University Press (forthcoming)
  
Wang, G., and P. R. Cook. 2003. [http://soundlab.cs.princeton.edu/publications/chuck_icmc2003.pdf ChucK: A Concurrent, On-the-fly Audio Programming Language]. ''Proceedings of the International Computer Music Conference''<span style="font-style: normal">. Singapore/San Francisco.</span>
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Wang, G., and P. R. Cook. 2003. [http://soundlab.cs.princeton.edu/publications/chuck_icmc2003.pdf ChucK: A Concurrent, On-the-fly Audio Programming Language]. ''Proceedings of the International Computer Music Conference''<span style="font-style: normal">. Singapore.</span>
  
 
Wang, G. and P. R. Cook. 2004. [http://soundlab.cs.princeton.edu/publications/on-the-fly_nime2004.pdf On-the-fly Programming: Using Code as an Expressive Musical Instrument. ] ''Proceedings of the International Conference on New Interfaces for Musical Expression''<span style="font-style: normal">. Hamamatsu, Japan. </span>
 
Wang, G. and P. R. Cook. 2004. [http://soundlab.cs.princeton.edu/publications/on-the-fly_nime2004.pdf On-the-fly Programming: Using Code as an Expressive Musical Instrument. ] ''Proceedings of the International Conference on New Interfaces for Musical Expression''<span style="font-style: normal">. Hamamatsu, Japan. </span>
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Wang, G., A. Misra, and P. R. Cook. 2006. [http://soundlab.cs.princeton.edu/publications/audicle_nime2006.pdf Building Collaborative interFaces in the Audicle.] ''Proceedings of the International Conference on New Interfaces for Musical Expression''<span style="font-style: normal">. Paris. See also the [http://soundlab.cs.princeton.edu/publications/audicle_nime2006_poster.pdf POSTER].</span>
 
Wang, G., A. Misra, and P. R. Cook. 2006. [http://soundlab.cs.princeton.edu/publications/audicle_nime2006.pdf Building Collaborative interFaces in the Audicle.] ''Proceedings of the International Conference on New Interfaces for Musical Expression''<span style="font-style: normal">. Paris. See also the [http://soundlab.cs.princeton.edu/publications/audicle_nime2006_poster.pdf POSTER].</span>
  
Wang, G., Trueman, D., Smallwood, S., Cook, P. 2007. [http://music.princeton.edu/~dan/plork/PLOrk_reader/papers/CMJ/CMJ_classroom.pdf The Laptop Orchestra as Classroom]. Computer Music Journal forthcoming.
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Wang, G., D. Trueman, S. Smallwood, P. Cook. 2007. [http://music.princeton.edu/~dan/plork/PLOrk_reader/papers/CMJ/CMJ.Wang.PDFPlus.pdf The Laptop Orchestra as Classroom]. Computer Music Journal Spring 2008, Vol. 32, No. 1: 26–37.
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Wang, G. 2008.  [http://ccrma.stanford.edu/~ge/thesis.html The ChucK Audio Programming Language: A Strongly-timed and On-the-fly Environ/mentality].  Ph.D. Thesis.  Princeton University.
 +
 
 +
Wang, G., G. Essl, and H. Pentinnen. 2008. [http://ccrma.stanford.edu/groups/mcd/publish/files/2008-icmc-mopho.pdf Do Mobile Phones Dream of Electric Orchestras?.] ''In Proceedings of the International Computer Music Conference.'' Belfast.
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Wang, G., N. Bryan, J. Oh, and R. Hamilton. 2009. [http://ccrma.stanford.edu/groups/mcd/publish/files/2009-icmc-slork.pdf Stanford Laptop Orchestra (SLOrk).]  ''In Proceedings of the International Computer Music Conference.'' Montreal.
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Wang, G. 2014. [https://ccrma.stanford.edu/~ge/publish/2014-cmj-ocarina.pdf Ocarina: Designing the iPhone's Magic Flute.] ''Computer Music Journal.'' 38(2):8-21.
 +
 
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Wang, G. 2018. [https://artful.design/ ''Artful Design: Technology in Search of the Sublime''].  Stanford University Press, 2018.
 +
 
 +
Wang, G. 2018. [https://artful.design/stuff/samples/laptop-orchestra.pdf "The Birth and Rise of the Laptop Orchestra"]. [https://artful.design/ ''Artful Design: Technology in Search of the Sublime''].  Stanford University Press, 2018.  pp. 248-274.
 +
 
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Weidenbaum, M. 2006. [http://www.newmusicbox.org/article.nmbx?id=4659 Serial Port: A Brief History of Laptop Music]. NewMusicBox.
  
 
Weinberg, G. 2002. [http://music.princeton.edu/~dan/plork/PLOrk_reader/papers/leonardo/Weinberg.pdf Playpens, Fireflies, and Squeezables: New Musical Instruments for Bridging the Thoughtful and the Joyful.] Leonardo Music Journal 12: 43–51.
 
Weinberg, G. 2002. [http://music.princeton.edu/~dan/plork/PLOrk_reader/papers/leonardo/Weinberg.pdf Playpens, Fireflies, and Squeezables: New Musical Instruments for Bridging the Thoughtful and the Joyful.] Leonardo Music Journal 12: 43–51.
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Weinberg, G. 2005. [http://music.princeton.edu/~dan/plork/PLOrk_reader/papers/CMJ/Weinberg.pdf Interconnected Musical Networks: Toward a Theoretical Framework.] Computer Music Journal 29(2): 23–39.
 
Weinberg, G. 2005. [http://music.princeton.edu/~dan/plork/PLOrk_reader/papers/CMJ/Weinberg.pdf Interconnected Musical Networks: Toward a Theoretical Framework.] Computer Music Journal 29(2): 23–39.
  
Weinberg, G. 2005. [http://music.princeton.edu/~dan/plork/PLOrk_reader/papers/OrganisedSound/Weinberg.pdf Local Performance Networks: musical interdependency throughgestures and controllers.] Organised Sound 10(3).
+
Weinberg, G. 2005. [http://music.princeton.edu/~dan/plork/PLOrk_reader/papers/OrganisedSound/Weinberg.pdf Local Performance Networks: musical interdependency through gestures and controllers.] Organised Sound 10(3).
  
 
</div>
 
</div>

Latest revision as of 21:23, 9 March 2020

The PLOrk Reader

password (included in your syllabus) required for some of these.


Armstrong, N. 2006. An Enactive Approach to Digital Musical Instrument Design. PhD dissertation, Music Department, Princeton University.

Bahn, C., and Trueman, D. 2001. interface—electronic chamber ensemble.CHI Workshop on New Interfaces for Musical Expression, http://www.informatik.uni-trier.de/~ley/db/conf/nime/nime2001.html.

Bahn, C., Hahn, T., and Trueman, D. 2001. Physicality and Feedback: A Focus on the Body in the Performance of Electronic Music.

Bischoff, J., Gold, R., and Horton, J. 1978. Microcomputer network music. Computer Music Journal 2(3): 24–9.

Bischoff, J. 1991. Software as Sculpture: Creating Music from the Ground Up. Leonardo Music Journal, Vol. 1 #1

Blackwell, A. and Collins, N. 2005. The Programming Language as a Musical Instrument. 17th Workshop of the Psychology of Programming Interest Group, Sussex University

Brown, C., Bischoff, J., and Perkis, T. 1996. Bringing Digital Music to Life. Computer Music Journal 20(2): 28–32.

Burkholder, P. J. 1986. The Twentieth Century and the Orchestra as Museum. In Peyser (ed.) The Orchestra: Origins and Transformations. New York: Scribner.

Cascone, K. 2003. Grain, Sequence, System: Three Levels of Reception in the Performance of Laptop Music. Contemporary Music Review 22(4): 101–104.

Collins, N. 2003. Generative Music and Laptop Performance. Contemporary Music Review 22(4): 67–79.

Cone, E. 1968. Musical Form and Musical Performance. New York: Norton.

Cook, P. Principles for Designing Computer Music Controllers. ACM CHI Workshop in New Interfaces for Muiscal Expression (NIME), Seattle, April 2001

Cook, P. 2004. Remutualizing the Musical Instrument: Co-design of Synthesis Algorithms and Controllers. Journal of New Music Research 33(3): 315–320.

Dhomont, F. 1996. Acousmatic Update. Sonic Arts Network, http://www.sonicartsnetwork.org/ARTICLES/ARTICLE1996DHOMONT.html.

Fiebrink, R., D. Trueman, C. Britt, M. Nagai, K. Kaczmarek, M. Early, M.R. Daniel, A. Hege, and P. R. Cook. 2010. Toward understanding human-computer interactions in composing the instrument. Proceedings of the International Computer Music Conference (ICMC), Stony Brook.

Fiebrink, R., G. Wang., and P. Cook. 2007. Don't Forget the Laptop: Using Native Input Capabilities for Expressive Musical Control. Proceedings of the International Conference on New Interfaces for Musical Expression. New York.

Garton, B. 2007. Multi-language Max/MSP

Godøy, R. I. 2001. Imagined Action, Excitation, and Resonance. In R. I. Godøy and H. Jørgensen (eds.) Musical Imagery. The Netherlands: Swets and Zeitlinger, 2001.

Godøy, R. I. 2003. Motor-Mimetic Music Cognition. Leonardo, 26(4): 317–319.

Gresham-Lancaster, S. 1998. The Aesthetics and History of the Hub: the effects of changing technology on network computer music. Leonardo Music Journal 8: 39–44.

Jaeger, T. 2003. The (Anti)-Laptop Aesthetic. Contemporary Music Review 22(4): 53–57.

Jordà, S. 2005. Digital Lutherie: Crafting musical computers for new musics’ performance and improvisation. Doctoral Dissertation, Departament de Tecnologia, Universitat Pompeu Fabreu.

Jordà, S. 2004. Instruments and Players: Some Thoughts on Digital Lutherie. Journal of New Music Research 33(3):321-341.

Lansky, P. 1990. A View From the Bus: When Machines Make Music. Perspectives of New Music 28(2).

Laubier, S. 1998. The Meta-Instrument. Computer Music Journal 22(1): 25–29.

Lewis, George E. 2007. 'Mobilitas Animi: Improvising Technologies, Intending Chance', Parallax,13:4,108 — 122

Lewis, G. 2007. Live Algorithms and The Future of Music.

Lewis, G. 2000. Too Many Notes: Computers, Complexity and Culture in Voyager.

Leppert, R. 1995. The Sight of Sound. Berkeley and Los Angeles: University of California Press.

Max/MSP. Cycling ’74, http://cycling74.com.

McNeill, W. 1995. Keeping Together in Time: Dance and Drill in Human History. Harvard University Press.

Miranda, E. R., and Wanderley, M. 2007. New Digital Musical Instruments

Mimeo. Music in Movement Electronic Orchestra. http://www.gjp.info/infomimeo.htm

Monroe, A. 2003. Ice on the Circuits/Coldness in Crisis: The Re-subordination of Laptop Sound. Contemporary Music Review 22(4): 35–43.

NIME. Proceedings from the New Interfaces for Musical Expression Conferences.

Orchestra-Tech 2001. The American Composers Orchestra. http://www.orchestratech.org/.

Ostertag, B. 2002. Human Bodies, Computer Music. Leonardo Music Journal 12: 11–14.

Rasch, R. 2000. Timing and Synchronization in Ensemble Performance. In Sloboda (ed.) Generative Processes in Music. Oxford: Oxford, 2000.

Ryan, J. 1991. Some remarks on musical instrument design at STEIM. Contemporary Music Review, 6(1):3–17.

Rotondo, M., N. Kruge, and G. Wang. 2012. Many-Person Instruments for Computer Music Performance. In Proceedings of the International Conference on New Interfaces for Musical Expression. Pittsburgh.

Spitzer, J. and Zaslaw, N. 2004. The Birth of the Orchestra. Oxford: Oxford.

Scott Smallwood, Perry R. Cook, Dan Trueman, and Lawrence McIntyre. 2009. Don't Forget the Loudspeaker: A History of Hemispherical Speakers at Princeton, Plus a DIY Guide. Proceedings of New Interfaces for Musical Expression (NIME), Pittsburgh.

Smallwood, S., D. Trueman, G. Wang, and P. Cook. 2007. Composing for Laptop Orchestra. Computer Music Journal Spring 2008, Vol. 32, No. 1: 9–25.

Stuart, C. 2003. The Object of Performance: Aural Performativity in Contemporary Laptop Music. Contemporary Music Review 22(4): 59–65.

Trayle, M. 1991. Nature, Networks, Chamber Music. Leonardo Music Journal, Vol. 1 #1.

Trueman, D. 2007. Why a Laptop Orchestra? Organised Sound, 12:2.

Trueman, D. 2010. Clapping Machine Music Variations. 'Proceedings of the International Computer Music Conference. ' Stony Brook.

Trueman, D. 2010. Digital Instrument Building and the Laptop Orchestra invited paper for the US Frontiers of Engineering Symposium.

Trueman, D., Cook, P., Smallwood, S., and Wang, G. PLOrk: The Princeton Laptop Orchestra, Year 1. Proceedings of the International Computer Music Conference. New Orleans.

Trueman, D., Cook, P. 2000. BoSSA: The Deconstructed Violin Reconstructed. Journal of New Music Research 29(2).

Trueman, D., Bahn, C., Cook, P. 2000. Alternative Voices for Electronic Sound. Proceedings of the International Computer Music Conference. Berlin/San Francisco: ICMA.

Trueman, D. 2006. The Instrumental Fetish. Invited article for Chamber Music Magazine, pp. 116–121.

Trueman, D. 2005. Discovering and Electric Violin. Invited article for American Composers Orchestra.

Wang, G. 2007. A History of Programming and Music. (draft) Cambridge Companion to Electronic Music. Nick Collins and Julio D'Escrivan Eds. Cambridge University Press (forthcoming)

Wang, G., and P. R. Cook. 2003. ChucK: A Concurrent, On-the-fly Audio Programming Language. Proceedings of the International Computer Music Conference. Singapore.

Wang, G. and P. R. Cook. 2004. On-the-fly Programming: Using Code as an Expressive Musical Instrument. Proceedings of the International Conference on New Interfaces for Musical Expression. Hamamatsu, Japan.

Wang, G. and P. R. Cook. 2004. The Audicle: A Context-sensitive, On-the-fly Audio Programming Environ/mentality. Proceedings of the International Computer Music Conference. Miami.

Wang, G., A. Misra, and P. R. Cook. 2006. Building Collaborative interFaces in the Audicle. Proceedings of the International Conference on New Interfaces for Musical Expression. Paris. See also the POSTER.

Wang, G., D. Trueman, S. Smallwood, P. Cook. 2007. The Laptop Orchestra as Classroom. Computer Music Journal Spring 2008, Vol. 32, No. 1: 26–37.

Wang, G. 2008. The ChucK Audio Programming Language: A Strongly-timed and On-the-fly Environ/mentality. Ph.D. Thesis. Princeton University.

Wang, G., G. Essl, and H. Pentinnen. 2008. Do Mobile Phones Dream of Electric Orchestras?. In Proceedings of the International Computer Music Conference. Belfast.

Wang, G., N. Bryan, J. Oh, and R. Hamilton. 2009. Stanford Laptop Orchestra (SLOrk). In Proceedings of the International Computer Music Conference. Montreal.

Wang, G. 2014. Ocarina: Designing the iPhone's Magic Flute. Computer Music Journal. 38(2):8-21.

Wang, G. 2018. Artful Design: Technology in Search of the Sublime. Stanford University Press, 2018.

Wang, G. 2018. "The Birth and Rise of the Laptop Orchestra". Artful Design: Technology in Search of the Sublime. Stanford University Press, 2018. pp. 248-274.

Weidenbaum, M. 2006. Serial Port: A Brief History of Laptop Music. NewMusicBox.

Weinberg, G. 2002. Playpens, Fireflies, and Squeezables: New Musical Instruments for Bridging the Thoughtful and the Joyful. Leonardo Music Journal 12: 43–51.

Weinberg, G. 2005. Interconnected Musical Networks: Toward a Theoretical Framework. Computer Music Journal 29(2): 23–39.

Weinberg, G. 2005. Local Performance Networks: musical interdependency through gestures and controllers. Organised Sound 10(3).