Difference between revisions of "TCD fall2010"
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*** [http://nime2008.casapaganini.org/Pages/online_proceedings.html 2008] | *** [http://nime2008.casapaganini.org/Pages/online_proceedings.html 2008] | ||
*** [http://portal.acm.org/toc.cfm?id=SERIES11275&type=series&coll=Portal&dl=GUIDE&CFID=26502586&CFTOKEN=20454133 2007 and earlier] | *** [http://portal.acm.org/toc.cfm?id=SERIES11275&type=series&coll=Portal&dl=GUIDE&CFID=26502586&CFTOKEN=20454133 2007 and earlier] | ||
| − | + | ** download and install and mess around with: | |
| + | *** [http://chuck.cs.princeton.edu/ ChucK] | ||
| + | *** [http://audicle.cs.princeton.edu/mini/ the miniAudicle] | ||
| + | *** if you are not familiar with Max/MSP, go to [http://cycling74.com] and check it out; not free, but there are student versions, and you may find you want to use it | ||
=== Week 2: 28/10/2010 === | === Week 2: 28/10/2010 === | ||
* TBD! | * TBD! | ||
Revision as of 07:57, 14 October 2010
Contents
General Information
Graduate Seminar, Fall 2010
Trinity College Dublin
Dan Trueman
What this year-long bi-weekly seminar ends up being will depend on participant interest.
Possible subjects
- laptops and performance
- networks, local and distance
- instrument building, including:
- output: speaker design
- input: sensors, controllers, hacked thingies, touch surfaces, etc...
- mapping: explicit, new machine learning approaches (implicit), etc...
- synthesis
- signal processing
- coding
- the notion of "composed instruments"
- and much more
- rhythm, meter and machines
- algorithms, technology, and composition/creativity
- transmission and notation
- and whatever else comes up!
I'd like this to function in part as a pro-seminar, where participants share their own work over the course of the year and get feedback from others. It can also end up partially hands-on, where we build/hack/code things together or in groups. Let's see what happens!!
Participants
- Dan Trueman, dtrueman AT princeton.edu
- names, email addresses (bot obscured), of everyone else
Schedule
Week 1: 14/10/2010
- introductions
- discussion of what we should do!
- Things to check out and/or do before next session:
- Some blogs/papers to peruse/read as you find interesting:
- this recent posting by Peter Kirn about laptops and performance
- and, in general, Peter's broadly inclusive but gear-oriented blog
- Weidenbaum, M. 2006. Serial Port: A Brief History of Laptop Music. NewMusicBox, fun survey.
- Cascone, K. 2003. Grain, Sequence, System: Three Levels of Reception in the Performance of Laptop Music. Contemporary Music Review 22(4): 101–104.
- Ostertag, B. 2002. Human Bodies, Computer Music. Leonardo Music Journal 12: 11–14.
- Trueman, D. 2007. Why a Laptop Orchestra? Organised Sound, 12:2.
- and an article by Frere Jones (thanks Cameron!).
- PLOrk Reader; lots and lots of reading relevant to computer music, performance, composition, etc...
- Proceedings from the New Interfaces for Musical Expression:
- download and install and mess around with:
- ChucK
- the miniAudicle
- if you are not familiar with Max/MSP, go to [1] and check it out; not free, but there are student versions, and you may find you want to use it
- Some blogs/papers to peruse/read as you find interesting:
Week 2: 28/10/2010
- TBD!
