Difference between revisions of "TCD fall2010"

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(Graduate Seminar at Trinity College Dublin 2010)
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*** Ostertag, B. 2002. [http://music.princeton.edu/~dan/plork/PLOrk_reader/papers/leonardo/Ostertag.pdf Human Bodies, Computer Music.] Leonardo Music Journal 12: 11–14.
 
*** Ostertag, B. 2002. [http://music.princeton.edu/~dan/plork/PLOrk_reader/papers/leonardo/Ostertag.pdf Human Bodies, Computer Music.] Leonardo Music Journal 12: 11–14.
 
*** Trueman, D. 2007. [http://music.princeton.edu/~dan/plork/PLOrk_reader/papers/OrganisedSound/WhyALaptopOrchestra.pdf Why a Laptop Orchestra?] Organised Sound, 12:2.
 
*** Trueman, D. 2007. [http://music.princeton.edu/~dan/plork/PLOrk_reader/papers/OrganisedSound/WhyALaptopOrchestra.pdf Why a Laptop Orchestra?] Organised Sound, 12:2.
*** and an [http://www.newyorker.com/arts/critics/musical/2008/09/15/080915crmu_music_frerejones?currentPage=all article by Frere Jones] (thanks Cameron!).
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*** and an [http://www.newyorker.com/arts/critics/musical/2008/09/15/080915crmu_music_frerejones?currentPage=all article by Sasha Frere Jones].
 +
*** please let me know about other relevant readings or sites!
 
** [[PLOrk Reader]]; lots and lots of reading relevant to computer music, performance, composition, etc...
 
** [[PLOrk Reader]]; lots and lots of reading relevant to computer music, performance, composition, etc...
 
** Proceedings from the New Interfaces for Musical Expression:
 
** Proceedings from the New Interfaces for Musical Expression:

Revision as of 07:00, 14 October 2010

General Information

Graduate Seminar, Fall 2010 into Spring 2011

Trinity College Dublin

Dan Trueman


What this year-long bi-weekly seminar ends up being will depend on participant interest.

Possible subjects

  • laptops and performance
  • networks, local and distance
  • instrument building, including:
    • output: speaker design
    • input: sensors, controllers, hacked thingies, touch surfaces, etc...
    • mapping: explicit, new machine learning approaches (implicit), etc...
    • synthesis
    • signal processing
    • coding
    • the notion of "composed instruments"
    • and much more
  • rhythm, meter and machines
  • algorithms, technology, and composition/creativity
  • transmission and notation
  • and whatever else comes up!


I'd like this to function in part as a pro-seminar, where participants share their own work over the course of the year and get feedback from others. It can also end up partially hands-on, where we build/hack/code things together or in groups. Let's see what happens!!


Participants

  • Dan Trueman, dtrueman AT princeton.edu
  • names, email addresses (bot obscured), of everyone else


Schedule

Week 1: 14/10/2010

Week 2: 28/10/2010

  • TBD!